He patiently read me stories for hours and many repeatedly. We both knew all the words to "Goodnight, Little Bear" and when I stayed overnight at my grandparents' house we reenacted the story before bedtime with me being the little bear hiding on Papa Bear's (or in this case Grandpa Bear's) shoulders while he pretended to look for me.
My first memorable impression of Istanbul came from that book somewhere around age three or four. There was a story about Couscous The Detective and something in the story led him to Istanbul. It was busy, and there was a bazaar and people dressed in a number of stereotypic ways. Couscous disguised himself in what I now know to be a burqa in order to trick and capture the bad guys (one of which may have been a cat...it's been awhile....).
As Emily says, there's usually some truth inside stereotypes and indeed Istanbul has women in burqas and chaotic old markets among an also modern city with very European dressed people. The part that holds the most true is the somewhat dingy and absolutely crazy bustle of this ancient crossroads of civilizations.
Yesterday, we discovered that Couscous had not been up to Nisintasi (said Nishantash because the ending I shouldn't have a dot, as it's a letter we don't have and it's silent). Up on a hill over Beyoglu stands the Beverly Hills of Istanbul. I wanted to see it because it's referenced in almost every work by Turkish author Orhan Pamuk. It's where he grew up and still resides. Why wouldn't he?
As our taxi took is up the hill from Taksim Square, the cloud began to lift and the sun shone down, illuminating Nisantasi. It felt like we had reached the Emerald City and that little people dressed in green would come out of the Gucci and Prada stores to welcome us to the Merry Ol' Land of Nisantasi.
Every brand name you can think of was there. So was a very fancy mall, European looking cafes and high end and international restaurants. If Emily gets a sushi craving, we now know where to go. If I need to take refuge in a cafe or patisserie that feels like Cannes, we now have the Cannes withdrawal antidote.
The apartment buildings are beautiful, the streets immaculate, women seem to walk comfortably alone down streets, people dress better and there's an fresh, clean feel to the area.
Interestingly, fewer people we encountered spoke English. Perhaps outside the tourist zone, there's less reason for it - although I would expect many of the educated professionals who live in the area are multi-lingual. They just didn't happen to be the people working at the local cafes.
When Emily finished her work, she took a walk around the area and took some photos. As she went to get a shot of an apartment building she thought was particularly pretty, a police officer stationed there told her not to take a photo. He got a nearby woman who spoke some English to tell Emily she could not photograph the building - a very important Turkish man lived there. Other buildings were fine to photograph - just not that one. When they realized she really had no idea who lived there, they had a laugh. Emily moved on.
Emily kept expressing her shock at how amazingly different Nisantasi is from the rest of the city. I kept saying that in any big city anywhere in the world, there's a place for the wealthy set. We knew Istanbul has its wealthy. Of course, I have read enough Pamuk to have some idea of what we might find. Nisantasi actually surpassed my imagination.
Of course, as Emily pointed out - if a foreigner saw downtown Los Angeles and then took a bus to Beverly Hills, what kind of image would they have of Los Angeles? Of America in general? It would be hard not to be overwhelmed by the disparity.
Seeing how Nisantasi is kept well and some of the older, more historic parts of the city and its beautiful landmarks have been left to turn black with soot and age saddens me.
At the same time, there was something strangely comforting to me about Nisantasi. To some degree it's the knowledge that Nisantasi is an area with nouveau riches - that people who are there made it there. There is upward mobility, which many societies can't claim. There's also the fact that in a strange way, it sets the balance straight. There has to be someplace with order and celebration. In Nisantasi, life felt lighter. It's hard not to like that.
At moments like these, I realize that no matter what, a part of us gravitates to the class and status with which we were raised. For all the times I've enjoyed sleeping in huts, eating off street carts, flushing the toilet with a bucket of water, and learning how the locals live - I can't deny that I enjoy the comforts and standards of home.
As much as I might like to feel I can "get real" and enjoy what is out of my cultural context, there's a reality that I have a comfort zone. I'm not yet sure if acknowledging this reality is a sign of maturity, or of getting old. Perhaps in my 30's - to my shock and horror - I'm more comfortable and more spoiled than I was in my 20's. Only time and Region 2 will flush this out and offer clarity.
There is no doubt that the change from Cannes to Istanbul has been more jarring than I expected. Going from gentle breezes, calm streets, and a very civilized life on an azure sea to the rough and tumble of the ancient and yet less developed metropolis of Istanbul leaves me with more questions than answers. Somehow, in the center of those questions, I found Nisantasi.
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